Input:
Passage: The focal point of the garden was originally four almond trees, encased in a canopy of the white rose, Rosa mulliganii. By the 1960s, the weight of the roses had severely weakened the trees, and they were replaced with an iron arbour designed by Nigel Nicolson. Beneath the arbour is sited a Ming dynasty vase bought in Cairo. A lead statue of a Vestal Virgin, cast by Toma Rosandić from the wooden original which is in the Big Room, presides over the garden. Sackville-West intended that the statue should be enveloped by a weeping pear tree, Pyrus salicifolia 'Pendula', and the present tree was planted after her original was destroyed in the Great Storm of 1987. Lord considers the White Garden "the most ambitious and successful of its time, the most entrancing of its type".A possibly apocryphal story records a visit by the colour-loving gardener Christopher Lloyd, during which he is supposed to have scattered seeds of brightly coloured nasturtiums across the lawn. Troy Scott Smith, the current head gardener, is undertaking a major research project on the history of the White Garden with the intention of recreating the original planting scheme in its entirety. This project has seen the number of plants being propagated in the Sissinghurst nursery rise from 400 to over 530.
Question: What is the last name of the person who has the intention to recreate the original planting scheme of the White Garden in its entirety?

Output: Smith.


Input:
Passage: Will Maddox has a theory about students not liking the idea of school and authority and thinking that it is a prison. He tests this theory and examines the boundaries of authority and his friendships. A few years before, a student, John Stanton was committed to an insane asylum, reasons unknown to most everybody except the principal. One day he escapes, releasing everyone else from the asylums around. Maddox sees this defiance which is the start of his anarchy. Maddox wants to "help him" and understand him more so they start a correspondence and Stanton tells him what to do and how to do them. This is includes the erasing of student grades, posting posters/fliers, locking part of the student body in a room among other things. Maddox gets his friends involved and challenges authority and gets most of the school behind him, including an administrator for a while. He is so consumed with creating chaos and disorder that his friends start to see the destruction, but they have to save themselves, and him before he can take complete control over the school.
Question: What is the full name of the person whose friends see that they need to prevent him from taking over the school?

Output: Will Maddox.


Input:
Passage: Lloyd's police department became the first in the county to purchase a Segway, in 2007, for the express purpose of patrolling the rail trail. The trail has been occasionally vandalized. Lloyd's Police Chief felt that use of such a vehicle would enable officers to patrol the trail for longer periods of time, and that it could also be used to patrol other areas of the town. Seven officers were expected to use the Segway, which contains an automated external defibrillator, and can go as fast as 12 1⁄2 miles per hour (20.1 km/h).In March 2009, Ulster County received almost $21 million in stimulus funds. The funding included a $3.16 million project to complete the trail between Lloyd and the Poughkeepsie Bridge. Some funding for the architectural and engineering aspects of the project came from the reserve fund created after the town's fiber optic deal. The Rail Trail Association also received a $1,500 grant from a public-benefit corporation, the Hudson River Valley Greenway, to print brochures. Construction for the 1.28-mile (2.06 km) section was underway by that September. In March 2010, a portion of New Paltz Road was closed pending the replacement of a bridge over the trail.The official groundbreaking ceremony took place on May 4, 2010, and the trail was expected to be completed by October. The bridge over Vineyard Avenue was opened to pedestrian traffic on July 16, 2010. The only remaining obstruction was the placement of a bridge carrying Mile Hill Road over the trail, which was expected to be completed in August. The crossing at US 9W had been remedied; the new section let "users to cross either over or under" the highway. To celebrate the opening of the Vineyard Avenue bridge, Route 44–55 throughout Highland (which includes Vineyard Avenue) was shut down for the day. The eastern expansion does not deviate from the original route of the corridor, and officially opened on October 2, 2010.Between June 23 and 24, 2011, parts of the trail were spray-painted with "dozens of [...] words and images". Volunteers who removed some of the graffiti believed that different types of paint were used. Lloyd's highway superintendent noted similar vandalism elsewhere in the town, and Town Supervisor Ray Costantino stated that the incident would cause Lloyd residents to feel a personal connection to the trail and become outraged.Future expansion to the trail includes a 1-mile (1.6 km) extension to the west, to State Route 299. Lloyd has received a $1.93 million state grant to complete the western expansion, which will reach New Paltz by 2012. Both Lloyd and New Paltz have received grants to establish a connection between the Hudson Valley Rail Trail and the Wallkill Valley Rail Trail. There has never been a direct link between the Poughkeepsie Bridge and the Wallkill Valley corridor. Other plans include the development of commercial zones along the trail, and a project to connect the trail to Illinois Mountain.
Question: What is the full name of the trail for which Lloyd's Police Chief felt use of such a vehicle would enable officers to patrol it for longer periods of time?

Output: Hudson Valley Rail Trail.


Input:
Passage: Set in the town of Wetherby in West Yorkshire, the film focuses on Jean Travers, a middle-aged spinster schoolteacher. One evening, she invites married friends for a dinner party, only to have some terrible repressions and past traumas dredged up when guest John Morgan expresses his emotional pain. The strange young man arrives at Jean's cottage the next morning with a gift of pheasants. While sitting at the kitchen table waiting for tea, he puts the barrel of a gun in his mouth and kills himself.
From this point onward, the film's story is told in chronologically discrete, interlocking flashbacks to the recent and distant past, showing actions and events as seen and experienced from various points of view. The central mystery of Morgan's suicide is the fulcrum around which the narrative turns. The narrative construction of the film resembles a jigsaw puzzle and, in keeping with Hare's style of exposition, frequently appears to have key pieces missing.
There are further scenes of the dinner party as well as scenes of the police investigation into the suicide. We learn Morgan had not been an invited guest—he walked in with others who assumed he was an acquaintance of Jean's, and Jean assumed that her friends had brought him with them.
Question: What is the last name of the person who was assumed to be an acquaintance of Jean's?

Output: Morgan.


Input:
Passage: John Arthur Lennox is an underworld chieftain who runs a nightclub where society patrons come to rub elbows with the criminal set. He is nicknamed Silk because of his fondness for the expression that things are "fine as silk". From the club he directs a violent $50,000 bank heist and cheekily invites in two detectives to establish his alibi. While the robbery is going on, he gets his new singer Jimmy Lambert to play a recording over the intercom that makes it appear as if his men are on the premises.
When Deacon, the gangster holding the stolen money, tries to skip town, Silk has him killed at the train station. The money is not found on his body, but the gang suspects that it is hidden in the express office. Meanwhile, Jimmy has realised that the recording will help convict Silk of the robbery and with Nola, the dance partner in his act, plans to use it against him.
As the law closes in and his allies turn against him, Silk is arrested but has to be released when witnesses, afraid of reprisals, refuse to identify him. In the police line-up, Silk meets Fingers Smalley, who agrees to break open the express office safe. After establishing an alibi at the club, Silk and Fingers leave for the office, but the police arrive as Fingers opens the safe. Silk is killed during the ensuing gunfight and Fingers explains that he is really an undercover police agent named Ferguson.
Question: What person has hidden the money in the express office?

Output: Deacon.


Input:
Passage: Steve MacKendrick, nicknamed "Canada" because he claims he is from there, volunteers in 1940 for the British military's parachute training facility. He obviously has a good deal more experience and leadership skills than he lets on. Canada tries to become better acquainted with a pretty parachute rigger named Penny Gardner. She is initially put off by his attitude, but they eventually start dating. Both Penny and his new commander, Major Snow, see potential (and a mystery that does not add up) in him, despite his strong efforts to avoid assuming any responsibility. Canada turns down Snow's offer to send him to officer school.
After completing parachute school, Canada's unit goes on a raid on the German radar station at Bruneval. An RAF radar expert, Flight Sergeant Box, accompanies the raiders to retrieve a key component to take back to Britain. The mission is a success, but Corporal Dawes, one of the men in Canada's outfit, hurts both his legs in the drop.
Back in Britain, after visiting Dawes, Canada is recognised by an American airman. He tells Penny that he resigned his commission from the USAAF after ordering his best friend and co-pilot to parachute out of their bomber when an experimental rocket got stuck. His friend was killed when his parachute did not open properly. Canada blamed himself and refuses any responsibility that might endanger anyone's life. When Snow confronts Canada with what he has learned (from a security investigation that he has ordered), Canada wrongly assumes that Penny told what she learned, and he breaks up with her.
Question: Who does Canada believe the parachute rigger tells his USAAF story too?

Output: Major Snow.


Input:
Passage: As Cole shops, an armed robber demands that the cashier, Michael, hand over all the money in the safe.  Michael empties the cash register and says that there is no safe in the shop.  As the robber becomes increasingly agitated, Cole approaches him, calls him a coward, and dares the robber to shoot him.  Michael intercedes and attempts to wrestle the gun away from the robber, only to be shot in the gut.  After Cole calls an ambulance, he receives a phone call from a friend who invites him out to drinks.  Cole accepts on the condition that it is not a house party.
Cole is frustrated to learn that it is a house party, and he goes downstairs to drink alone, where he meets Maya, the host.  The two discuss an approaching asteroid.  Maya says that modern stress would evaporate in the face of the meaninglessness of certain doom, and Cole says that everything would matter in that circumstance.  The two dance to Maya's favorite song and soon begin dating.  A series of flashforwards depict life in post-apocalyptic Scotland after the asteroid has arrived as Cole and Maya hide from alien spaceships, mixed with scenes in the present of their relationship leading up to those events.
When they discuss children, Cole says he does not want any, and Maya reveals she is incapable.  As the asteroid grows closer, Cole asks Maya to marry him.  Maya jokingly accepts, and Cole insists that he is serious; now serious, Maya again agrees.  Although initially dismissive of the danger, scientists become increasingly worried about a collision.  Various missions to divert the asteroid end in failure, putting the world on edge.  In the flashforwards, Cole and Maya's relationship deteriorates in the face of their hardship in finding food and shelter.
Question: What was the profession of the person who was shot?

Output: cashier.


Input:
Passage: Shortly after completing the tour for Pretty on the Inside, Love married Cobain on Waikiki Beach in Honolulu, Hawaii on February 24, 1992. She wore a satin and lace dress once owned by actress Frances Farmer, and Cobain wore plaid pajamas. During Love's pregnancy, Hole recorded a cover of "Over the Edge" for a Wipers tribute album, and recorded their fourth single, "Beautiful Son", which was released in April 1993. On August 18 of that year, the couple's only child, a daughter, Frances Bean Cobain, was born in Los Angeles. The couple subsequently relocated to Carnation, Washington and then to Seattle.Love's first major media exposure came in a September 1992 profile of herself and Cobain for Vanity Fair by journalist Lynn Hirschberg, entitled "Strange Love." After being asked to participate in a cover story for the magazine, Love was urged by her manager to accept the request. In the year prior, Love and Cobain had developed a heroin addiction, and the profile painted the couple in an unflattering light and suggested that Love had been addicted to heroin during her pregnancy. The article ultimately resulted in the Los Angeles Department of Children and Family Services investigating, and custody of Love and Cobain's newborn daughter, Frances, was temporarily awarded to Love's sister, Jaimee. Love claimed she was misquoted by Hirschberg, and asserted that she had immediately quit using heroin during her first trimester after she discovered she was pregnant. Love would later claim that the publication of the article had serious implications for her marriage as well as Cobain's mental state, suggesting it was a factor in his suicide.
Question: What was the name of the person that Love got her first major media exposure with?

Output: Cobain.


Input:
Passage: Following the death of rancher John Dodge, foreman Gene Autry is left the responsibility of taking care of Rancho Grande ranch and Dodge's three spoiled grandchildren raised in the east. Gene is also responsible for completing a major project started by Dodge—the construction of an irrigation system that would bring valuable water to the faithful Rancho Grande employees in the southern part of the valley. Dodge mortgaged his ranch in order to finance the project.
When Dodge's grandchildren, Tom, Kay, and Patsy, arrive from the east, they are unimpressed with life on the ranch. Tom and Kay are madcap college types who think ranchlife is boring and long to return to the big city. They resent Gene's authority and dismiss his talk of developing a work ethic and the importance of the irrigation project. Meanwhile, crooked lawyer Emory Benson is planning to seize the mortgage to Rancho Grande. After meeting Tom and Kay, he decides to take advantage of their discontent in order to slow the irrigation project and prevent the bank from renewing the mortgage.
Gradually, Gene is able to win Kay over to his way of thinking, but Tom falls in with a group of partying tenderfoots from the east. He invites them to stay at Rancho Grande, where they get in everyone's way. Gene and his sidekick Frog Millhouse finally succeed in scaring the dudes off the ranch. Angered by Gene's actions, Tom and Kay decide to leave. When a rockslide at the irrigation project site injures Jose, a faithful Rancho Grande employee, Tom and Kay come to their senses and pledge to help complete the project on time.
Question: What is the full name of the person John's grandchildren resent?

Output: Gene Autry.


Input:
Passage: McVeigh rented a storage space in which he stockpiled seven crates of 18-inch-long (46 cm) Tovex sausages, 80 spools of shock tube, and 500 electric blasting caps, which he and Nichols had stolen from a Martin Marietta Aggregates quarry in Marion, Kansas. He decided not to steal any of the 40,000 pounds (18,000 kg) of ANFO (ammonium nitrate/fuel oil) he found at the scene, as he did not believe it to be powerful enough (although he did obtain seventeen bags of ANFO from another source for use in the bomb). McVeigh made a prototype bomb which was detonated in the desert to avoid detection.
Later, speaking about the military mindset with which he went about the preparations, he said, "You learn how to handle killing in the military. I face the consequences, but you learn to accept it." He compared his actions to the atomic bombings of Hiroshima and Nagasaki, rather than the attack on Pearl Harbor, reasoning it was necessary to prevent more lives from being lost.On April 14, 1995, McVeigh paid for a motel room at the Dreamland Motel in Junction City, Kansas. The following day he rented a 1993 Ford F-700 truck from Ryder under the name Robert D. Kling, an alias he adopted because he knew an Army soldier named Kling with whom he shared physical characteristics, and because it reminded him of the Klingon warriors of Star Trek. On April 16, 1995, he drove to Oklahoma City with fellow conspirator Terry Nichols where he parked a getaway car several blocks away from the Alfred P. Murrah Federal Building. The nearby Regency Towers Apartments' lobby security camera recorded images of Nichols's blue 1984 GMC pickup truck on April 16. After removing the license plate from the car, he left a note covering the Vehicle Identification Number (VIN) plate that read, "Not abandoned. Please do not tow. Will move by April 23. (Needs battery & cable)." Both men then returned to Kansas.
Question: What is the full name of the building that recorded the blue pickup truck of the man that was a conspirator with the person who claimed "You learn how to handle killing in the military."?

Output: Regency Towers Apartments.


Input:
Passage: Stanford did not employ a full-time professor in religion until 1951 and did not establish a religious studies department until 1973, later than most other universities in the U.S.  Earlier courses in religion were largely offered by the chaplains of Stanford Memorial Church.  David Charles Gardner offered a course in Biblical history and literature beginning in 1907, and by 1910, he was teaching New Testament Greek and Bible classes.  Gardner's successor, D. Elton Trueblood, whose goal was the establishment of a non-denominational graduate school in religious studies at Stanford, taught classes about the philosophy of religion.  In 1941 Trueblood's efforts to expand the study of religion resulted in the creation of a minor in religion, as well as twenty-one courses offered by him and four faculty members.  By 1960, the chaplains of Stanford Memorial Church no longer had to run the program, which had expanded to allow students the option of majoring in the study of religion.  By the mid-1960s, the religious studies program at Stanford was enjoying "enormous success".In the 1960s, the study of religion at Stanford began to focus more on social and ethical issues like race and the Vietnam War.  Leading this focus was Stanford Memorial Church Dean of the Chapel and Professor of Religion B. Davie Napier, who was "a powerful critic of U.S. policy in Vietnam".  Napier, along with Stanford professors Michael Novak and Robert McAfee Brown, who had previously been faculty members of seminaries, were the subject of a Time Magazine article in 1966, describing "the renaissance of faith and learning at Stanford".  Students crowded into the church to hear anti-war speeches by them, as well as by "notables" such as Linus Pauling and William Sloan Coffin.  Harvey credited Napier for making the church a popular meeting place on campus for undergraduates and for turning it into "Christian theater—the introduction of jazz and other types of experimental worship as well as provocative preaching".Stanford University was the first major educational institution in the United States that conducted same-sex commitment ceremonies at its chapel.  Its first ceremony was held in 1993, and was officiated by Associate Dean Diana Akiyama.  In 2017, a campus organization attempted to have Stanford Memorial Church declared a sanctuary church for the undocumented immigrant student population, but was unsuccessful due to university policies regarding the status of the church as part of the university.
Question: What is the full name of the person who was said to be making the church a popular meeting place on campus for undergraduates?

Output: B. Davie Napier.


Input:
Passage: The Runaway Scrape events took place mainly between September 1835 and April 1836, and were the evacuations by Texas residents fleeing the Mexican Army of Operations during the Texas Revolution, from the Battle of the Alamo through the decisive Battle of San Jacinto. The ad interim government of the new Republic of Texas and much of the civilian population fled eastward ahead of the Mexican forces. The conflict arose after Antonio López de Santa Anna abrogated the 1824 constitution of Mexico and established martial law in Coahuila y Tejas. The Texians resisted and declared their independence. It was Sam Houston's responsibility, as the appointed commander-in-chief of the Provisional Army of Texas (before such an army actually existed), to recruit and train a military force to defend the population against troops led by Santa Anna.
Residents on the Gulf Coast and at San Antonio de Béxar began evacuating in January upon learning of the Mexican army's troop movements into their area, an event that was ultimately replayed across Texas. During early skirmishes, some Texian soldiers surrendered, believing that they would become prisoners of war — but Santa Anna demanded their executions. The news of the Battle of the Alamo and the Goliad massacre instilled fear in the population and resulted in the mass exodus of the civilian population of Gonzales, where the opening battle of the Texian revolution had begun and where, only days before the fall of the Alamo, they had sent a militia to reinforce the defenders at the mission. The civilian refugees were accompanied by the newly forming provisional army, as Houston bought time to train soldiers and create a military structure that could oppose Santa Anna's greater forces. Houston's actions were viewed as cowardice by the ad interim government, as well as by some of his own troops. As he and the refugees from Gonzales escaped first to the Colorado River and then to the Brazos, evacuees from other areas trickled in and new militia groups arrived to join with Houston's force.
The towns of Gonzales and San Felipe de Austin were burned to keep them out of the hands of the Mexican army. Santa Anna was intent on executing members of the Republic's interim government, who fled from Washington-on-the-Brazos to Groce's Landing to Harrisburg and New Washington. The government officials eventually escaped to Galveston Island, and Santa Anna burned the towns of Harrisburg and New Washington when he failed to find them. Approximately 5,000 terrified residents of New Washington fled from the Mexican army. After a little over a month of training the troops, Houston reached a crossroads where he ordered some of them to escort the fleeing refugees farther east while he took the main army southeast to engage the Mexican army. The subsequent Battle of San Jacinto resulted in the surrender of Santa Anna and the signing of the Treaties of Velasco.
Question: What were the names of the four towns that were burned?

Output: Gonzales.


Input:
Passage: The Runaway Scrape events took place mainly between September 1835 and April 1836, and were the evacuations by Texas residents fleeing the Mexican Army of Operations during the Texas Revolution, from the Battle of the Alamo through the decisive Battle of San Jacinto. The ad interim government of the new Republic of Texas and much of the civilian population fled eastward ahead of the Mexican forces. The conflict arose after Antonio López de Santa Anna abrogated the 1824 constitution of Mexico and established martial law in Coahuila y Tejas. The Texians resisted and declared their independence. It was Sam Houston's responsibility, as the appointed commander-in-chief of the Provisional Army of Texas (before such an army actually existed), to recruit and train a military force to defend the population against troops led by Santa Anna.
Residents on the Gulf Coast and at San Antonio de Béxar began evacuating in January upon learning of the Mexican army's troop movements into their area, an event that was ultimately replayed across Texas. During early skirmishes, some Texian soldiers surrendered, believing that they would become prisoners of war — but Santa Anna demanded their executions. The news of the Battle of the Alamo and the Goliad massacre instilled fear in the population and resulted in the mass exodus of the civilian population of Gonzales, where the opening battle of the Texian revolution had begun and where, only days before the fall of the Alamo, they had sent a militia to reinforce the defenders at the mission. The civilian refugees were accompanied by the newly forming provisional army, as Houston bought time to train soldiers and create a military structure that could oppose Santa Anna's greater forces. Houston's actions were viewed as cowardice by the ad interim government, as well as by some of his own troops. As he and the refugees from Gonzales escaped first to the Colorado River and then to the Brazos, evacuees from other areas trickled in and new militia groups arrived to join with Houston's force.
The towns of Gonzales and San Felipe de Austin were burned to keep them out of the hands of the Mexican army. Santa Anna was intent on executing members of the Republic's interim government, who fled from Washington-on-the-Brazos to Groce's Landing to Harrisburg and New Washington. The government officials eventually escaped to Galveston Island, and Santa Anna burned the towns of Harrisburg and New Washington when he failed to find them. Approximately 5,000 terrified residents of New Washington fled from the Mexican army. After a little over a month of training the troops, Houston reached a crossroads where he ordered some of them to escort the fleeing refugees farther east while he took the main army southeast to engage the Mexican army. The subsequent Battle of San Jacinto resulted in the surrender of Santa Anna and the signing of the Treaties of Velasco.
Question: What were the names of the four towns that were burned?

Output: San Felipe de Austin.


Input:
Passage: The Runaway Scrape events took place mainly between September 1835 and April 1836, and were the evacuations by Texas residents fleeing the Mexican Army of Operations during the Texas Revolution, from the Battle of the Alamo through the decisive Battle of San Jacinto. The ad interim government of the new Republic of Texas and much of the civilian population fled eastward ahead of the Mexican forces. The conflict arose after Antonio López de Santa Anna abrogated the 1824 constitution of Mexico and established martial law in Coahuila y Tejas. The Texians resisted and declared their independence. It was Sam Houston's responsibility, as the appointed commander-in-chief of the Provisional Army of Texas (before such an army actually existed), to recruit and train a military force to defend the population against troops led by Santa Anna.
Residents on the Gulf Coast and at San Antonio de Béxar began evacuating in January upon learning of the Mexican army's troop movements into their area, an event that was ultimately replayed across Texas. During early skirmishes, some Texian soldiers surrendered, believing that they would become prisoners of war — but Santa Anna demanded their executions. The news of the Battle of the Alamo and the Goliad massacre instilled fear in the population and resulted in the mass exodus of the civilian population of Gonzales, where the opening battle of the Texian revolution had begun and where, only days before the fall of the Alamo, they had sent a militia to reinforce the defenders at the mission. The civilian refugees were accompanied by the newly forming provisional army, as Houston bought time to train soldiers and create a military structure that could oppose Santa Anna's greater forces. Houston's actions were viewed as cowardice by the ad interim government, as well as by some of his own troops. As he and the refugees from Gonzales escaped first to the Colorado River and then to the Brazos, evacuees from other areas trickled in and new militia groups arrived to join with Houston's force.
The towns of Gonzales and San Felipe de Austin were burned to keep them out of the hands of the Mexican army. Santa Anna was intent on executing members of the Republic's interim government, who fled from Washington-on-the-Brazos to Groce's Landing to Harrisburg and New Washington. The government officials eventually escaped to Galveston Island, and Santa Anna burned the towns of Harrisburg and New Washington when he failed to find them. Approximately 5,000 terrified residents of New Washington fled from the Mexican army. After a little over a month of training the troops, Houston reached a crossroads where he ordered some of them to escort the fleeing refugees farther east while he took the main army southeast to engage the Mexican army. The subsequent Battle of San Jacinto resulted in the surrender of Santa Anna and the signing of the Treaties of Velasco.
Question: What were the names of the four towns that were burned?

Output: Harrisburg.


Input:
Passage: The Runaway Scrape events took place mainly between September 1835 and April 1836, and were the evacuations by Texas residents fleeing the Mexican Army of Operations during the Texas Revolution, from the Battle of the Alamo through the decisive Battle of San Jacinto. The ad interim government of the new Republic of Texas and much of the civilian population fled eastward ahead of the Mexican forces. The conflict arose after Antonio López de Santa Anna abrogated the 1824 constitution of Mexico and established martial law in Coahuila y Tejas. The Texians resisted and declared their independence. It was Sam Houston's responsibility, as the appointed commander-in-chief of the Provisional Army of Texas (before such an army actually existed), to recruit and train a military force to defend the population against troops led by Santa Anna.
Residents on the Gulf Coast and at San Antonio de Béxar began evacuating in January upon learning of the Mexican army's troop movements into their area, an event that was ultimately replayed across Texas. During early skirmishes, some Texian soldiers surrendered, believing that they would become prisoners of war — but Santa Anna demanded their executions. The news of the Battle of the Alamo and the Goliad massacre instilled fear in the population and resulted in the mass exodus of the civilian population of Gonzales, where the opening battle of the Texian revolution had begun and where, only days before the fall of the Alamo, they had sent a militia to reinforce the defenders at the mission. The civilian refugees were accompanied by the newly forming provisional army, as Houston bought time to train soldiers and create a military structure that could oppose Santa Anna's greater forces. Houston's actions were viewed as cowardice by the ad interim government, as well as by some of his own troops. As he and the refugees from Gonzales escaped first to the Colorado River and then to the Brazos, evacuees from other areas trickled in and new militia groups arrived to join with Houston's force.
The towns of Gonzales and San Felipe de Austin were burned to keep them out of the hands of the Mexican army. Santa Anna was intent on executing members of the Republic's interim government, who fled from Washington-on-the-Brazos to Groce's Landing to Harrisburg and New Washington. The government officials eventually escaped to Galveston Island, and Santa Anna burned the towns of Harrisburg and New Washington when he failed to find them. Approximately 5,000 terrified residents of New Washington fled from the Mexican army. After a little over a month of training the troops, Houston reached a crossroads where he ordered some of them to escort the fleeing refugees farther east while he took the main army southeast to engage the Mexican army. The subsequent Battle of San Jacinto resulted in the surrender of Santa Anna and the signing of the Treaties of Velasco.
Question: What were the names of the four towns that were burned?

Output: New Washington.


Input:
Passage: In a letter to his friend and landlord Johann Lorenz Hagenauer (1712–1792), a prominent Salzburg merchant, written after the tour, Leopold quotes the German diplomat Friedrich Melchior, Baron von Grimm, who after hearing the children play had said: "Now for once in my life I have seen a miracle: this is the first". Leopold believed that it was his duty to proclaim this miracle to the world, otherwise he would be "the most ungrateful creature". He was said to have described Wolfgang as "The miracle which God let be born in Salzburg." Mozart biographer Wolfgang Hildesheimer has suggested that, at least in the case of Wolfgang, this venture was premature: "Too soon, [the] father dragged [the] son all over Western Europe for years. This continual change of scene would have worn out even a robust child..." However, there is little evidence to suggest that Wolfgang was physically harmed or musically hindered by these childhood exertions; it seems that he felt equal to the challenge from the start.Leopold wanted to begin the tour as soon as possible—the younger the children were, the more spectacular would be the demonstration of their gifts. The route he intended to take included southern Germany, the Austrian Netherlands, Paris, Switzerland and possibly northern Italy. The London leg was only added after urgings during the Paris visit, and the eventual Dutch trip was an unplanned detour. The plan was to take in as many princely European courts as possible, as well as the great cultural capitals—Leopold was relying on his professional musical network and on his more recent social contacts to obtain invitations from the royal courts. Practical assistance came from Hagenauer, whose trading connections in the major cities would supply the Mozarts with what were effectively banking facilities. These would enable them to obtain money en route, while waiting for the proceeds from their performances to accumulate.Wolfgang prepared for the tour by perfecting himself on the violin, which he had learned to play apparently without any tutelage whatsoever. As for more general preparation, the children delighted in making music together, something they never lost. On tour, even during the busiest travelling days they would fit in their daily practice, appearing to thrive on the hectic schedule. Before the journey could begin, Leopold needed the consent of his employer, the prince-archbishop. Leopold had only been appointed deputy Kapellmeister in January 1763; nevertheless the archbishop's consent to an extended leave of absence was granted, on the grounds that the Mozarts' successes would bring glory to Salzburg, its ruler, and to God.
Question: What is the first name of the person who offered practical assistance?

Output: Johann.


Input:
Passage: 2017 marks the 50th anniversary of Jayne Mansfield's fatal and legendary car crash, yet we still are left to wonder: was her life spinning out of control in the last two years of her life, or...did the devil make her do it?
Even knowing how the story ends, who could resist cheering for Jayne Mansfield (the king-sized over-the-top punked-out Marilyn Monroe who became the ultimate atomic-era sex-kitten-gone-berserk) as she navigates the cultural and spiritual landscape of a quickly changing world in the mid-1960s?
Defined by her hunger for publicity, on the one hand Jayne was Hollywood Babylon made flesh, with five kids, three messy divorces, and a lurid death that may or may not have been caused by a Satanic curse. On the other hand, she had perfect comic timing, 163 IQ, spoke five languages and was outspokenly anti-war, making her impossible to categorize, though the headlines that her wild life inspired certainly tried: Can A Sex Siren Be A Good Mother, Love Goddess With A Jinx, the Smartest Dumb Blonde...
And then there was her reported affair with Anton LaVey, head of the Church of Satan. The handsomely devilish Anton started his "church" with a publicist and preached a live and let live lifestyle. "If you're going to be a sinner, be the best sinner on the block," said Anton and that was music to sex-positive Jayne Mansfield's ears. Unfortunately, her then-boyfriend lawyer Sam Brody was sent into a jealous rage and desecrated sacred Satanic talismans in Anton's lair, prompting a curse to be put on his head that he would die in a car accident within a year. In 1966 and 1967, Jayne and Sam proceeded to have seven fender benders and near-fatal smash-ups until the one that tragically took both of their lives in a bizarre crash where reporters said alternately Jayne was either beheaded on impact or wig-scalped.
Question: What did Sam Brody damage?

Output: Satanic talismans.


Input:
Passage: The album  was recorded in Los Angeles, California with Reign in Blood producer Rick Rubin. PopMatters reviewer Adrien Begrand observed that Rubin's production "shoves [Dave] Lombardo's drumming right up front in the mix". Guitarist Jeff Hanneman has since said that South of Heaven was the only album the band members discussed before writing the music. Aware that they "couldn't top Reign in Blood", and that whatever they recorded would be "compared to that album", he believed they "had to slow down", something Slayer had never done on albums before, or since. Guitarist Kerry King cited the need to "keep people guessing" as another reason for the musical shift. "In order to contrast the aggressive assault put forth on Reign in Blood, Slayer consciously slowed down the tempo of the album as a whole", according to Slayer's official biography. "They also added elements like undistorted guitars and toned-down vocal styles not heard on previous albums."King has since been critical of his performance, which he describes as his "most lackluster". King attributes this to the fact he had recently married, and moved to Phoenix, Arizona. Describing himself as "probably the odd man out at that point", he stated he "didn't participate as much because of that".  Hanneman said: "We go through dry spells sometimes, but the good thing about having two guitar players that can write music is that you are never gonna go without. I guess at that time, Kerry was hitting a dry spell." King has also been critical of the album in general, describing it as one of his least favorite Slayer albums. He feels  vocalist Tom Araya moved too far away from his regular vocal style, and "added too much singing". Drummer Dave Lombardo has since observed: "There was fire on all the records, but it started dimming when South of Heaven came into the picture. And that's me personally. Again, I was probably wanting something else."Judas Priest's "Dissident Aggressor" is the first cover version to appear on a Slayer studio album. The song was chosen due to its war-themed lyrics. Hanneman described the track as "more just like one of those odd songs that a lot of people didn't know, but it was a favorite of Kerry and I, so we just picked that one". Meanwhile, "Cleanse the Soul" has been heavily criticized by King who said that he hates the track: "That's one of the black marks in our history, in my book. I just fucking think it's horrible. [Laughs] I hate the opening riff. It's what we call a 'happy riff.' It's just like 'la-lala-la-la-la.' I can't see myself playing it, but after that, where it gets heavier, I like that section. If we ever did a medley, I'd put part of that in there." The Slayer boxset Soundtrack to the Apocalypse featured, along with four songs of the album, an early version of the title track, recorded at Hanneman's home.
Question: What is the full name of the band member that described his performance as lackluster?

Output: Kerry King.


Input:
Passage: In 1933, during the Great Depression, New York City vaudeville actress Ann Darrow is hired by financially troubled filmmaker Carl Denham to star in a film with Herb, Carl's cameraman, Mike, Carl's soundman, Preston, Carl's assistant, and actor Bruce Baxter. Ann learns her favorite playwright, Jack Driscoll, is the screenwriter. As their tramp steamer, the SS Venture, journeys to the mysterious Skull Island, Ann and Jack fall in love. The people on the ship consist of Englehorn the captain and his crew, including Hayes, a World War One veteran, Lumpy the cook, Choy the janitor, and the Venture's lookout Jimmy. Captain Englehorn has second thoughts about the voyage, prompted by Lumpy and Hayes' speculation of trouble ahead.
Deep in the southern waters, the Venture receives a radio message informing Englehorn there is a warrant for Carl's arrest due to his defiance of the studio's orders to cease production. The message instructs Englehorn to divert to Rangoon, but the ship becomes lost in fog and runs aground on the rocky shore of Skull Island. Carl and his crew explore the island and are attacked by natives, who kill Mike as well as one of the sailors. Ann screams as she is captured, and a loud roar is heard beyond a wall. After this, the matriarch of the tribe targets Ann, muttering the word "Kong". Englehorn kills one of the natives and his crew break up the attack. Back on the ship, they lighten their load to float off the rocks and carry out repairs, but Jack discovers Ann has been kidnapped and another sailor has been killed. The natives offer Ann as a sacrifice to Kong, a 25 feet (7.6 m) tall gorilla. The crew returns fully armed, but is too late as Kong takes Ann and flees into the jungle. Though initially terrified, Ann wins Kong over with juggling and dancing, and begins to grasp Kong's intelligence and capacity for emotion.
Question: What type of animal does Ann win over with juggling and dancing?

Output: gorilla.


Input:
Passage: Following the seven performances on the Joshua Tree Tour, U2 did not perform "Mothers of the Disappeared" until 1998, on the fourth leg of the PopMart Tour. It was played at three concerts in Argentina and once in Chile, concluding all four shows. Bono sang "el pueblo vencerá" at the end of each performance. The first rendition was on 5 February 1998 in Buenos Aires, where it was performed with the Madres accompanying them onstage. The song was played by just Bono and the Edge and was set against footage of the Madres on the video screen. At the conclusion of the song, the band members faced the Madres and applauded, an act in which the rest of the audience joined. Part of the performance was later included on the television documentary Classic Albums: The Joshua Tree.The cost of the tickets was too high for many fans in South America, so the band broadcast the 11 February concert in Chile live on television. Knowing that many people in the country would be watching, they played "Mothers of the Disappeared" in place of "Wake Up Dead Man". The stadium in which the concert was held had been used as a prison camp by Pinochet's regime following the coup d'état. Again it was performed solely by Bono and the Edge against footage of the Madres, and they invited the women to join them onstage a second time. The Madres held up photographs of their children and spoke about them briefly during the performance, an act which received a mixed reception from the audience. Bono made a plea to Pinochet, asking him to "tell these women where are the bones of their children.""Mothers of the Disappeared" was performed again on the fourth leg of the Vertigo Tour, on 26 February 2006 in Santiago and 2 March in Buenos Aires. Although it was rehearsed by the full band, it was played only by Bono and the Edge in an arrangement similar to the one from the PopMart Tour. The Edge performed the song on a charango that Chilean President Ricardo Lagos had given to Bono earlier that day. It was played at three concerts on the third leg of the U2 360° Tour in place of "MLK". One performance in Istanbul, Turkey was dedicated to Fehmi Tosun, an ethnic Kurd who was kidnapped in October 1995 and subsequently disappeared. The abduction was witnessed by his wife and daughter; no information regarding his disappearance has ever been released.
For the first time in 30 years, a full band arrangement of "Mothers of the Disappeared" returned to U2's live set for the Joshua Tree Tour 2017, on which the group played The Joshua Tree in sequence in its entirety for each show. Eddie Vedder and Mumford & Sons accompanied U2 on-stage in a performance of the song during a 14 May 2017 show in Seattle.
Question: Who faced the Madres and applauded at the conclusion of the song?

Output: U2.


Input:
Passage: Oliver was born Bronwyn Gooda on 22 February 1959, in Gum Flat, west of Inverell, in New South Wales. Her parents were Milton, a farmer turned greenkeeper, and Wendy, who worked in a pharmacy. Her creativity was nurtured from a young age. Aged just eight, Oliver attended weekend art classes in Inverell run by Ian Howard, who went on to become dean of the college in Sydney where she would later study. As she was dux of her school, her parents expected her to go on to university. However, Oliver wished to pursue a creative career. When she told her parents of her plans, her mother replied, "Darling, your father and I are very pleased you're going to art school, but if you'd been a son, I think we'd be a little disappointed." A rift subsequently developed between her and her family that resulted in her having no contact with them for 25 years.After leaving school, Oliver studied and worked in Sydney. She had intended to enrol in painting classes, but a computer error placed her in the sculpture course: she later said "I knew straight away I was in the right place".She graduated from the Alexander Mackie College of Advanced Education in 1980. Winning a New South Wales Travelling Art Scholarship in 1983, she then completed a master's degree at Chelsea School of Art in 1984. Her work was influenced by Richard Deacon, Antony Gormley and Martin Puryear under whom she studied while in England. Upon returning from the United Kingdom, she immediately met with further success, when in 1984 she won a Moet & Chandon Australian Art Fellowship. In 1988 she was granted a period as artist-in-residence in the city of Brest on the coast of Brittany, where she studied Celtic metalworking techniques.
Question: What is the real name of the person whose father was a farmer turned greenkeeper?

Output: Bronwyn Gooda.


Input:
Passage: At the end of the 19th century, several forms of industrial development shaped Minnesota.  In 1882, a hydroelectric power plant was built at Saint Anthony Falls, marking one of the first developments of hydroelectric power in the United States.  Iron mining began in northern Minnesota with the opening of the Soudan Mine in 1884.  The Vermilion Range was surveyed and mapped by a party financed by Charlemagne Tower.  Another mining town, Ely began with the foundation of the Chandler Mine in 1888.  Soon after, the Mesabi Range was established when ore was found just under the surface of the ground in Mountain Iron.  The Mesabi Range ultimately had much more ore than the Vermilion Range, and it was easy to extract because the ore was closer to the surface.  As a result, open-pit mines became well-established on the Mesabi Range, with 111 mines operating by 1904.  To ship the iron ore to refineries, railroads such as the Duluth, Missabe and Iron Range Railway were built from the iron ranges to Two Harbors and Duluth on Lake Superior.  Large ore docks were used at these cities to load the iron ore onto ships for transport east on the Great Lakes.  The mining industry helped to propel Duluth from a small town to a large, thriving city.  In 1904, iron was discovered in the Cuyuna Range in Crow Wing County.  Between 1904 and 1984, when mining ceased, more than 106 million tons of ore were mined.  Iron from the Cuyuna Range also contained significant proportions of manganese, increasing its value.
Question: What is the name of the range that had less ore than the one that established 111 mines?

Output: Vermilion Range.


Input:
Passage: The Monadnock was commissioned by Boston real estate developers Peter and Shepherd Brooks in the building boom following the Depression of 1873–79. The Brooks family, which had amassed a fortune in the shipping insurance business and had been investing in Chicago real estate since 1863, had retained Chicago property manager Owen F. Aldis to manage the construction of the seven-story Grannis Block on Dearborn Street in 1880. It was Aldis, one of two men Louis Sullivan credited with being "responsible for the modern office building", who convinced investors such as the Brooks brothers to build new skyscrapers in Chicago. By the end of the century, Aldis would create over 1,000,000 square feet (93,000 m2) of new office space and manage nearly one fifth of the office space in the Loop.Daniel Burnham and John Wellborn Root met as young draftsmen in the Chicago firm of Carter, Drake, and Wight in 1872 and left to form Burnham & Root the following year. At Aldis's urging, the Brooks brothers had retained the then-fledgling firm to design the Grannis Block, which was their first major commission. Burnham and Root would become the architects of choice for the Brooks family, for whom they would complete the first high-rise building in Chicago, the 10-story Montauk Building, in 1883, and the 11-story Rookery Building in 1888.
The Great Chicago Fire of 1871 had destroyed a 4-mile (6.4 km) by 0.5-mile (0.80 km) swath of the city between the Chicago River and Lake Michigan, and subsequent commercial development expanded into the area far south of the main business district along the river that would come to be known as "the Loop". Between 1881 and 1885, Aldis bought a series of lots in the area on Peter Brooks' behalf, including a 70-by-200-foot (21 by 61 m) site on the corner of Jackson and Dearborn streets. The location was remote, yet attractive for several reasons. The construction of the Chicago Board of Trade Building in 1885 had made nearby LaSalle Street the city's prime financial district, driving up property values, and railroad companies were buying up land further south for new terminal buildings, creating further speculation in the southeastern end of the Loop. Brooks commissioned Burnham & Root to design a building for the site in 1884, and the project was announced in 1885, with a brief trade journal notice that the building would cost $850,000 ($23.7 million in 2018 dollars). The Chicago building community had little faith in Brooks' choice of location. Architect Edwin Renwick would say: When Owen Aldis put up the Monadnock on Jackson Boulevard there was nothing on the south side of the street between State Street and the river but cheap one-story shacks, mere hovels. Every one thought Mr. Aldis was insane to build way out there on the ragged edge of the city. Later when he carried the building on through Van Buren Street they were sure he was.
Question: What is the full name of the person who urged the Brooks brothers to retain Burnham & Root to design the Grannis Block?

Output: Owen F. Aldis.


Input:
Passage: A few months before the D-Day landings during the Second World War, the British government decides to launch a campaign of disinformation; spreading a rumour that the landings just might take place at a location other than Normandy. The details of the operation (actually, there were several such operations) are handed to two intelligence officers, Colonel Logan and Major Harvey. They are initially unable to devise such a plan – but one night, Harvey sees an actor at a London theatre, putting on a convincing impression of General Bernard Montgomery.
Logan and Harvey discover that the actor is M. E. Clifton James (who plays himself in the film), a lieutenant stationed in Leicester with the Royal Army Pay Corps and that he was a professional actor in peacetime. He is called to London, on the pretext that he is to make a test for an army film, and a plan is devised that he should tour North Africa, impersonating 'Monty'.
'Jimmy' as Harvey calls him, is doubtful that he can carry off an impersonation of Montgomery, especially with his air of command, but with time running short and no options open to him, he agrees.
Disguised as a corporal, he spends some days at Montgomery's headquarters and learns to copy the general's mannerisms and style. After an interview with the general himself, he is sent off to tour North Africa.
Accompanied by Harvey, who has been 'promoted' to brigadier for his cover as Montgomery's aide-de-camp, 'Jimmy' arrives at Gibraltar, where the governor, who has known the general for years, can't get over the likeness. To further foster the deception, a local businessman and known German agent, Karl Nielson, is invited to dinner, knowing that he will spread the information. This happens quickly and their aeroplane is (unsuccessfully) attacked on leaving Gibraltar.
Question: Along with Jimmy, who else is in the plane that gets attacked leaving Gibraltar?

Output: Harvey.


Input:
Passage: Lancashire mill-girls Jenny Hawthorne and Mary Hollins go on holiday to Blackpool during the annual wakes week in their hometown of Hindle.  They run into Alan Jeffcote, the son of the owner of the mill in which they work, who has also traveled to Blackpool with a group of friends while his fiancée is detained on business in London.  Jenny and Alan hit it off immediately, and he persuades her to leave Blackpool to spend the week with him at Llandudno in North Wales.  To cover her tracks, Jenny leaves a postcard with Mary, asking her to send it to her parents (Edmund Gwenn and Sybil Thorndike) later in the week.  She and Alan leave their friends and set off for Wales.
Shortly afterwards, Mary is involved in a serious road accident and is killed.  Her possessions are returned to Hindle and the unmailed postcard is found in her luggage.  Jenny's parents are already suspicious and concerned by the fact that Jenny has not returned to Hindle as they would have expected in view of such a tragic turn to her holiday, and the discovery of the postcard increases their fears.  Jenny returns at the end of the week.  Her parents ask about her holiday, and allow her to dig a hole for herself as her fictitious account shows she is unaware of Mary's death and has clearly not spent the week in Blackpool.  When confronted with the truth, Jenny admits to where she has been, and with whom, and defiantly refuses to be made to feel guilty or immoral.
Question: What town is the road accident victim from?

Output: Hindle.


Input:
Passage: A few weeks after Of Human Feelings was recorded, Mwanga went to Japan to negotiate a deal with Trio Records to have the album released on Phrase Text. Trio, who had previously released a compilation of Coleman's 1966 to 1971 live performances in Paris, prepared to press the album once Mwanga provided the label with the record stamper. Coleman was also set to perform his song "Skies of America" with the NHK Symphony Orchestra, but cancelled both deals upon Mwanga's return from Japan. Mwanga immediately quit after less than four months as Coleman's manager. In 1981, Coleman hired Stan and Sid Bernstein as his managers, who sold the album's recording tapes to Island Records. He signed with the record label that year, and Of Human Feelings was released in 1982 on Island's subsidiary jazz label Antilles Records. Billboard magazine published a front-page story at the time about its distinction as both the first digital album recorded in New York City and the first digital jazz album recorded by an American label.According to jazz writer Francis Davis, "a modest commercial breakthrough seemed imminent" for Coleman, who appeared to be regaining his celebrity. German musicologist Peter Niklas Wilson said the album may have been the most tuneful and commercial-sounding of his career at that point. The album's clean mix and relatively short tracks were interpreted as an attempt for radio airplay by Mandel, who described its production as "the surface consistency that would put it in the pop sphere". Of Human Feelings had no success on the American pop charts, only charting on the Top Jazz Albums, where it spent 26 weeks and peaked at number 15. Because the record offered a middle ground between funk and jazz, McRae argued that it consequently appealed to neither demographic of listeners. Sound & Vision critic Brent Butterworth speculated that it was overlooked because it had electric instruments, rock and funk drumming, and did not conform to what he felt was the hokey image of jazz that many of the genre's fans preferred. The album later went out of print.
Question: What is the last name of the critic who claimed that the album that offered a middle ground between funk and jazz was over looked?

Output: Butterworth.


Input:
Passage: The film tells the story of two young men, Biggs (Ky-Mani Marley) and Wayne, who grow up together in the tough and dangerous streets of (Waterhouse) Kingston. They rob a soda truck and shoot the truck driver while they are still children.
The robbery money is used to purchase visas to go the United States, where they continue their criminal activities, hustling on the streets of Miami. Twenty years later, Biggs is then deported to Jamaica where Wayne and Mad Max, also deported, have continued their surge in crime, they begin to extort money from business people. After facing problems with the police and politicians, the two head back to Miami alongside Mad Max. Upon returning, they are informed that Miami has a new king, Teddy Bruck Shut.
The three pay Teddy a visit to extort him. They extort, beat, and murder their way to the top of the Miami underworld before their dream ends in a brazen shoot out, during which Teddy's thugs kill Wayne and shoot Max. Biggs almost gets shot as he comforts Wayne at his deathbed, but Max shoots the assailant before it happens.  After taking Max to the hospital, Biggs goes to Teddy's house and murders him, his bodyguard and his girlfriend. Biggs then takes all the money and gets on a boat.
Question: What are the names of the three people who pay Teddy a visit to extort him?

Output: Biggs.


Input:
Passage: The film tells the story of two young men, Biggs (Ky-Mani Marley) and Wayne, who grow up together in the tough and dangerous streets of (Waterhouse) Kingston. They rob a soda truck and shoot the truck driver while they are still children.
The robbery money is used to purchase visas to go the United States, where they continue their criminal activities, hustling on the streets of Miami. Twenty years later, Biggs is then deported to Jamaica where Wayne and Mad Max, also deported, have continued their surge in crime, they begin to extort money from business people. After facing problems with the police and politicians, the two head back to Miami alongside Mad Max. Upon returning, they are informed that Miami has a new king, Teddy Bruck Shut.
The three pay Teddy a visit to extort him. They extort, beat, and murder their way to the top of the Miami underworld before their dream ends in a brazen shoot out, during which Teddy's thugs kill Wayne and shoot Max. Biggs almost gets shot as he comforts Wayne at his deathbed, but Max shoots the assailant before it happens.  After taking Max to the hospital, Biggs goes to Teddy's house and murders him, his bodyguard and his girlfriend. Biggs then takes all the money and gets on a boat.
Question: What are the names of the three people who pay Teddy a visit to extort him?

Output: Wayne.


Input:
Passage: The film tells the story of two young men, Biggs (Ky-Mani Marley) and Wayne, who grow up together in the tough and dangerous streets of (Waterhouse) Kingston. They rob a soda truck and shoot the truck driver while they are still children.
The robbery money is used to purchase visas to go the United States, where they continue their criminal activities, hustling on the streets of Miami. Twenty years later, Biggs is then deported to Jamaica where Wayne and Mad Max, also deported, have continued their surge in crime, they begin to extort money from business people. After facing problems with the police and politicians, the two head back to Miami alongside Mad Max. Upon returning, they are informed that Miami has a new king, Teddy Bruck Shut.
The three pay Teddy a visit to extort him. They extort, beat, and murder their way to the top of the Miami underworld before their dream ends in a brazen shoot out, during which Teddy's thugs kill Wayne and shoot Max. Biggs almost gets shot as he comforts Wayne at his deathbed, but Max shoots the assailant before it happens.  After taking Max to the hospital, Biggs goes to Teddy's house and murders him, his bodyguard and his girlfriend. Biggs then takes all the money and gets on a boat.
Question: What are the names of the three people who pay Teddy a visit to extort him?

Output: Mad Max.


Input:
Passage: Bob Weston works for STOP, a scandal magazine whose owner and staff are proud of being regarded as the filthiest rag in America. One of Bob's colleagues has just written an article about Dr. Helen Gurley Brown, a young psychologist and author of the best-selling book Sex and the Single Girl, a self-help guide with advice to single women on how to deal with men. The article raises doubts on her experience with sex and relationships. Helen is very offended, having lost six appointments with patients due to the article discrediting her as a "23 year-old virgin.". Bob wants to follow up by interviewing her, but she refuses.
Bob's friend and neighbor, stocking manufacturer Frank Broderick, is having marriage issues with his strong-willed wife Sylvia, but can't find the time to go to a counselor. Therefore, Bob decides to impersonate Frank and go to Helen as a patient, with the goal of getting close to her in order to gather more information. In exchange, he'll report back to Frank her advice. During their first couple of sessions, Bob acts shy and smitten, and tries to gently seduce Helen. She seems to respond to Bob's courteous advances, all while insisting it's a transfer and that she'll play the role of Sylvia to the benefit of his therapy. After he fakes a suicide attempt, the two of them end up making out in her apartment, with Bob realizing he's actually falling for Helen, which is the reason he still has not written anything about her, prompting an ultimatum from his boss.
Question: What is the last name of the person Helen pretends to be in therapy sessions?

Output: Broderick.


Input:
Passage: Arthur Harris is the grumpy husband of Marion, who is terminally ill yet continues to participate with enthusiasm at her local seniors' choir, The OAP'Z. The choirmaster is a young teacher, Elizabeth who is preparing the choir to enter a local musical choir competition called "Shadow Song". Arthur is also estranged from his son, James. Marion's health deteriorates over time until one night when she dies in her sleep. Arthur initially takes this loss severely and cuts himself from his family and the choir. Eventually he agrees to take Marion's place in the choir. The transition proves to be a challenge for Arthur thanks to the unconventional songbook that includes racier songs such as Salt-N-Pepa's "Let's Talk About Sex" and Motorhead's "Ace of Spades". However he grows to enjoy spending time in the choir.
On the eve of the competition, Arthur has an argument with James in a failed attempt to rebuild their relationship and pulls out of the choir. The choir participates in the competition without Arthur. He arrives later but before he can perform with the choir, they are eliminated from the competition by the judges. The choir are on their way to return home in defeat when Arthur stops the bus and storms the musical competition's stage shortly joined by the rest of the choir. They perform again with Arthur singing a solo of "Lullabye (Goodnight, My Angel)". The choir finishes in third place and returns home triumphant. Arthur and his son, James (who watched him perform in the competition) reconnect on the journey home with James leaving an answering phone message confirming this later.
Question: Who is the estranged son's mother's choir teacher?

Output: Elizabeth.


Input:
Passage: In the Arizona desert, truck driver Martin "Rubber Duck" Penwald is passed by a woman in a Jaguar XK-E, which leads to an encounter with a state trooper. Proceeding on his way, Rubber Duck runs into fellow truck drivers Pig Pen/Love Machine and Spider Mike, when another "trucker" informs them over the C.B. that they are okay to increase their speed. The "trucker" turns out to be Sheriff "Dirty Lyle" Wallace, a long-time nemesis of the Duck, who extorts them for $70 each.
The truckers head on to Rafael's Glide-In where the Duck's sometime girlfriend, Violet, works as a waitress. Melissa, the driver of the XK-E, is also there; the car broke down and she had to sell it and some of her belongings in an effort to leave Arizona, as she's due in Dallas for a job. The Duck offers Melissa a ride; Violet is unimpressed and ushers him away to give him a special birthday present. While away, Wallace shows up at the Glide-In checking plates. Pig Pen and Spider Mike start making fun of Wallace over the diner's base-station CB radio, leading to Wallace attempting to arrest Spider Mike for "vagrancy".
The Duck, having been warned by Widow Woman, enters and tries to smooth things over. But Lyle is determined and insults Mike, who is desperate to get home to his pregnant wife. Mike punches Wallace, leading to a brawl in the diner when some troopers arrive to assist Wallace. The assorted truckers prevail, and the Duck handcuffs Wallace to a bar stool. After pulling the spark plug wires and distributor caps out of the police cars, they all decide to head for the state line to avoid prosecution.
Question: What is the name of the person that passed Rubber Duck?

Output: Melissa.


Input:
Passage: Giovanni Battista Barbirolli was born in Southampton Row, Holborn, London, the second child and eldest son of an Italian father and a French mother. He was a British national from birth, and as Southampton Row is within the sound of Bow Bells, Barbirolli always regarded himself as a Cockney. His father, Lorenzo Barbirolli (1864–1929), was a Venetian violinist who had settled in London with his wife, Louise Marie, née Ribeyrol (1870–1962). Lorenzo and his father had played in the orchestra at La Scala, Milan, where they had taken part in the première of Otello in 1887. In London they played in West End theatre orchestras, principally that of the Empire, Leicester Square.
The young Barbirolli began to play the violin when he was four, but soon changed to the cello. He later said that this was at the instigation of his grandfather who, exasperated at the child's habit of wandering around while practising the violin, bought him a small cello to stop him from "getting in everybody's way". His education at St. Clement Danes Grammar School overlapped, from 1910, with a scholarship at Trinity College of Music. As a Trinity student, he made his concert debut in a cello concerto in the Queen's Hall in 1911. The following year he won a scholarship to the Royal Academy of Music, which he attended from 1912 to 1916, studying harmony, counterpoint and theory under Dr. J. B. McEwen and the cello with Herbert Walenn. In 1914 he was joint winner of the academy's Charles Rube Prize for ensemble playing, and in 1916 The Musical Times singled him out as "that excellent young 'cello player, Mr Giovanni Barbirolli." The principal of the Academy, Sir Alexander Mackenzie, had forbidden students to play the chamber music of Ravel, which he regarded as "a pernicious influence". Barbirolli was keenly interested in modern music, and he and three colleagues secretly rehearsed Ravel's String Quartet in the privacy of a men's lavatory in the Academy.From 1916 to 1918 Barbirolli was a freelance cellist in London. He recalled, "My first orchestral engagement was with the Queen's Hall Orchestra – I was probably the youngest orchestral musician ever, joining them in 1916. We had an enormous repertory – six concerts a week, three hours or more rehearsal a day. In those days we were happy if we began and finished together". While playing in the Queen's Hall Orchestra, Barbirolli also played in the opera pit for the Beecham and Carl Rosa opera companies, in recitals with the pianist Ethel Bartlett, with orchestras in theatres, cinemas, hotels and dance-halls, and, as he said, "everywhere except the street". During the last year of the First World War, Barbirolli enlisted in the army and became a lance-corporal in the Suffolk Regiment. Here he had his first opportunity to conduct, when an orchestra of volunteers was formed. He later described the experience:.
Question: What is the last name of the person whose father was a Venetian violinist?

Output: Barbirolli.


Input:
Passage: Anna, a soon-to-be secondary school graduate, plans to go traveling for a year before attending university, much to the displeasure of her father Tony. Her friends are dealing with their own issues: her best friend John is secretly in love with her, Chris is struggling with a class assignment, and Steph is trying to get her social justice reporting past the tyrannical vice principal Mr. Savage ("Break Away"). Nick, Anna's macho ex-boyfriend, is also making her life difficult ("Hollywood Ending"). The night of the school Christmas show, in which Chris's girlfriend Lisa is performing ("It's That Time of Year"), Anna and John are working in the local bowling alley and Chris and Steph have gone to film for Steph's story. During this time, a zombie infection starts spreading and Lisa, Tony, Savage, and Chris's grandmother are stranded in the school. Anna and John bond over her post-graduation plans on their ways home from work.
The next morning, Anna and John leave for the school, completely oblivious to the zombie chaos around them ("Turning My Life Around"). When they encounter a zombie dressed as a snowman, Anna decapitates him with a seesaw. Figuring it will be too dangerous to go home or to the school, they go to the bowling alley where they meet Steph and Chris, who had taken shelter there. Steph finds out that an army evacuation is coming to the school, so the group plans to go there once it is safe. Anna and Steph find the zombified cleaner and Steph kills her, alerting a group of zombified bowlers to break in. The group kills them all after a bloody fight and realise that getting to their loved ones will be difficult ("Human Voice").
Question: What are the names of the group of people that kills the zombified bowlers that break into the bowling ally?

Output: Steph.


Input:
Passage: Anna, a soon-to-be secondary school graduate, plans to go traveling for a year before attending university, much to the displeasure of her father Tony. Her friends are dealing with their own issues: her best friend John is secretly in love with her, Chris is struggling with a class assignment, and Steph is trying to get her social justice reporting past the tyrannical vice principal Mr. Savage ("Break Away"). Nick, Anna's macho ex-boyfriend, is also making her life difficult ("Hollywood Ending"). The night of the school Christmas show, in which Chris's girlfriend Lisa is performing ("It's That Time of Year"), Anna and John are working in the local bowling alley and Chris and Steph have gone to film for Steph's story. During this time, a zombie infection starts spreading and Lisa, Tony, Savage, and Chris's grandmother are stranded in the school. Anna and John bond over her post-graduation plans on their ways home from work.
The next morning, Anna and John leave for the school, completely oblivious to the zombie chaos around them ("Turning My Life Around"). When they encounter a zombie dressed as a snowman, Anna decapitates him with a seesaw. Figuring it will be too dangerous to go home or to the school, they go to the bowling alley where they meet Steph and Chris, who had taken shelter there. Steph finds out that an army evacuation is coming to the school, so the group plans to go there once it is safe. Anna and Steph find the zombified cleaner and Steph kills her, alerting a group of zombified bowlers to break in. The group kills them all after a bloody fight and realise that getting to their loved ones will be difficult ("Human Voice").
Question: What are the names of the group of people that kills the zombified bowlers that break into the bowling ally?

Output: Chris.


Input:
Passage: Anna, a soon-to-be secondary school graduate, plans to go traveling for a year before attending university, much to the displeasure of her father Tony. Her friends are dealing with their own issues: her best friend John is secretly in love with her, Chris is struggling with a class assignment, and Steph is trying to get her social justice reporting past the tyrannical vice principal Mr. Savage ("Break Away"). Nick, Anna's macho ex-boyfriend, is also making her life difficult ("Hollywood Ending"). The night of the school Christmas show, in which Chris's girlfriend Lisa is performing ("It's That Time of Year"), Anna and John are working in the local bowling alley and Chris and Steph have gone to film for Steph's story. During this time, a zombie infection starts spreading and Lisa, Tony, Savage, and Chris's grandmother are stranded in the school. Anna and John bond over her post-graduation plans on their ways home from work.
The next morning, Anna and John leave for the school, completely oblivious to the zombie chaos around them ("Turning My Life Around"). When they encounter a zombie dressed as a snowman, Anna decapitates him with a seesaw. Figuring it will be too dangerous to go home or to the school, they go to the bowling alley where they meet Steph and Chris, who had taken shelter there. Steph finds out that an army evacuation is coming to the school, so the group plans to go there once it is safe. Anna and Steph find the zombified cleaner and Steph kills her, alerting a group of zombified bowlers to break in. The group kills them all after a bloody fight and realise that getting to their loved ones will be difficult ("Human Voice").
Question: What are the names of the group of people that kills the zombified bowlers that break into the bowling ally?

Output: Anna.


Input:
Passage: Anna, a soon-to-be secondary school graduate, plans to go traveling for a year before attending university, much to the displeasure of her father Tony. Her friends are dealing with their own issues: her best friend John is secretly in love with her, Chris is struggling with a class assignment, and Steph is trying to get her social justice reporting past the tyrannical vice principal Mr. Savage ("Break Away"). Nick, Anna's macho ex-boyfriend, is also making her life difficult ("Hollywood Ending"). The night of the school Christmas show, in which Chris's girlfriend Lisa is performing ("It's That Time of Year"), Anna and John are working in the local bowling alley and Chris and Steph have gone to film for Steph's story. During this time, a zombie infection starts spreading and Lisa, Tony, Savage, and Chris's grandmother are stranded in the school. Anna and John bond over her post-graduation plans on their ways home from work.
The next morning, Anna and John leave for the school, completely oblivious to the zombie chaos around them ("Turning My Life Around"). When they encounter a zombie dressed as a snowman, Anna decapitates him with a seesaw. Figuring it will be too dangerous to go home or to the school, they go to the bowling alley where they meet Steph and Chris, who had taken shelter there. Steph finds out that an army evacuation is coming to the school, so the group plans to go there once it is safe. Anna and Steph find the zombified cleaner and Steph kills her, alerting a group of zombified bowlers to break in. The group kills them all after a bloody fight and realise that getting to their loved ones will be difficult ("Human Voice").
Question: What are the names of the group of people that kills the zombified bowlers that break into the bowling ally?

Output: John.


Input:
Passage: During the First World War, a British officer - David Compton - on leave from the trenches in Paris falls in love with and has a liaison of three days with a French performing artist: Deloryse/Lola. He proposes to her and tells her to get ready for the wedding in an hour. He rushes to search for the English church. On the way he meets his superior, who tells him that he has to report immediately, they have to leave Paris. He doesn't even have the time to see his fiancé again.
After returning to fight on the front, he suffers from shellshock and forgets everything that happened in the last four years. After recovering he goes back to his wealthy life of rich industrialist, marries a British Socialite, with whom he runs entirely separate lives. She is the one to invite Deloryse to London to dance on one of her charity events. While dancing and singing on the stage she sees him in a loge. During her second number, where she sings the same song of when he met her in Paris, he finally has a flash back of the song and the singer. After the performance he sends her a notice that he wants to see her. She's very excited, but when Doctor Gavron comes to see her, he measures her pulse and tells her, that she has to give up the stage, as the strain might kill her, even if she dances once more. Then David comes. He meets her and his son Davey. But  he is now married to a British Socialite: Vesta Compton, who never wanted children, to the big regret of her husband.
Question: What is the full name of the person who invites Deloryse to London?

Output: Vesta Compton.


Input:
Passage: County Cork, Ireland, 1920. Dr. Damien O'Donovan is about to leave his native village to practise medicine in a London hospital. Meanwhile, his brother Teddy commands the local flying column of the Irish Republican Army. After a hurling match, Damien witnesses the summary execution of his friend, Micheál Ó Súilleabháin, by British Black and Tans. Although shaken, Damien rebuffs his friends' entreaties to stay in Ireland and join the IRA, saying that the war is unwinnable. As he is leaving town, Damien witnesses the British Army vainly trying to intimidate a railway personnel for refusing to permit the troops to board. In response, Damien decides to stay and is sworn into Teddy's IRA brigade.
After drilling in the mountains, the column raids the village's Royal Irish Constabulary barracks to acquire revolvers, then uses them to assassinate four Auxiliaries. In the aftermath, Anglo-Irish landowner Sir John Hamilton coerces one of his servants, IRA member Chris Reilly, into passing information to the British Army's Intelligence Corps. As a result, the entire brigade is arrested. In their cell, Damien meets the train driver, Dan, a union official who shares Damien's socialist views.
Meanwhile, British officers interrogate Teddy, pulling out his fingernails when he refuses to give them the names of IRA members. Johnny Gogan, a British soldier of Irish descent, helps the prisoners escape, but three are left behind. After the actions of Sir John and Chris are revealed to the IRA's intelligence network, both are taken hostage. As Teddy is still recovering, Damien is temporarily placed in command. News arrives that the three remaining IRA prisoners have been tortured and shot. Simultaneously, the brigade receives orders to "execute the spies".
Question: Who refuses to yield information while being tortured?

Output: Teddy.


Input:
Passage: While Raff was able to offer "practical suggestions [in orchestration] which were of great value to Liszt", there may have been "a basic misunderstanding" of the nature of their collaboration. Liszt wanted to learn more about instrumentation and acknowledged Raff's greater expertise in this area. Hence, he gave Raff piano sketches to orchestrate, just as he had done earlier with Conradi—"so that he might rehearse them, reflect on them, and then, as his confidence in the orchestra grew, change them." Raff disagreed, having the impression that Liszt wanted him on equal terms as a full collaborator. While attending an 1850 rehearsal of Prometheus, he told Bernhard Cossmann, who sat next to him, "Listen to the instrumentation. It is by me."Raff continued making such claims about his role in Liszt's compositional process. Some of these accounts, published posthumously by Die Musik in 1902 and 1903, suggest that he was an equal collaborator with Liszt. Raff's assertions were supported by Joachim, who had been active in Weimar at approximately the same time as Raff. Walker writes that Joachim later recalled to Raff's widow "that he had seen Raff 'produce full orchestral scores from piano sketches.'" Joachim also told Raff's biographer Andreas Moser that "the E-flat-major Piano Concerto was orchestrated from beginning to end by Raff." Raff's and Joachim's statements effectively questioned the authorship of Liszt's orchestral music, especially the symphonic poems. This speculation was debased when composer and Liszt scholar Peter Raabe carefully compared all sketches then known of Liszt's orchestral works with the published versions of the same works. Raabe demonstrated that, regardless of the position with first drafts, or of how much assistance Liszt may have received from Raff or Conradi at that point, every note of the final versions represents Liszt's intentions.
Question: What is the name of the person who had earlier given Conradi piano sketches to illustrate?

Output: Liszt.


Input:
Passage: Chiyo Sakamoto, a young girl from a poverty-stricken fishing village, is sold along with her older sister Satsu into a life of servitude by her aging father. Chiyo is taken in by Kayoko Nitta, the Mother (proprietress) of a geisha house in Gion, one of the most prominent geisha districts in Kyoto, whereas Satsu is sold to a prostitution brothel.
At the okiya, Chiyo meets another young girl named Pumpkin, the cranky Granny, the gentler Auntie, and the okiya's only working geisha, Hatsumomo, who is famous for her breathtaking beauty. Chiyo soon discovers Hatsumomo is secretly a cruel and jealous woman that views Chiyo as a potential rival due to her striking bluish-gray eyes, along with being a change in Mother's future financial dependence. Hatsumomo then goes out of her way to deliberately make Chiyo's new life miserable by having her take the blame for everything and intentionally withholding information of her sister's whereabouts in the pleasure district. However, Auntie is aware of this and warns Chiyo against trusting and angering Hatsumomo, given her history with the ill-mannered geisha.
Question: What is the name of the cranky lady at the geisha house that Chiyo goes to?

Output: Granny.


Input:
Passage: The architectural writer Geoffrey Tyack has written that Nuffield College was Oxford's "most important architectural project of the immediate post-war years". Opinions about the architecture merits of the college have varied, although most have been unfavourable. The authors of a 1961 booklet on the architecture of modern Oxford said that it was "Oxford's biggest monument to barren reaction". The Cotswold style was "taken absurdly out of context and mercilessly stretched", and did not "harmonise with the clumsy tower", whilst the spire "[perched] uneasily ... despite its elaborate base". An unnamed journalist wrote in The Times in 1959 that the main buildings of the quadrangles were "somewhat oddly wedded to small basins which irresistibly suggest a Lilliputian Versailles". The same writer said that the tower rose "Manhattan-wise for 10 storeys through the twentieth century, only to have a diminutive spire, escaped from the fifteenth, push through its top to steal the last laugh". Peter Sager, too, thought that the "high-rise library" could "easily stand on the Hudson". Sir Howard Colvin said that the "utilitarian function" of the tower "accorded ill with its original ornamental purpose", and that the architects had "failed to find a satisfactory solution" to the "repetitive uniformity of fenestration".  Of the flèche, Colvin said that it "makes its contribution to the Oxford skyline without any overt reference to historical precedent". Geoffrey Tyack also disliked the tower, describing it as "an ungainly structure" that was "lit by a monotonous array of windows punched out of the wall surface"; however, he thought the hall was "an effective reinterpretation of the traditional collegiate pattern".The architectural historian Sir Nikolaus Pevsner compared the college unfavourably to the designs of the Danish architect Arne Jacobsen  for St Catherine's College, Oxford, construction of which began in 1960 (the year that Nuffield College was completed): St Catherine's, in his view, was "the most perfect piece of architecture of 20th-century Oxford" and made Nuffield "look even more absurd". Nevertheless, he "proposed forgiveness" for the "mighty tower", which "positively helps the famous skyline of Oxford", adding that it has "enough identity to be sure that one day it will find affection". He said that the tower had something of the architect Edwin Lutyens' "felicitous manipulation of period details into a non-period whole and will, I prophesy, one day be loved", although he was less sure that this fate awaited the rest of the buildings. Simon Jenkins said of Pevsner's prophecy about the tower, "I doubt it"; he described it as "at best ungainly", with a "weak spire", and said that "vegetation was its best hope, as for the rest of Nuffield". The college, in his view "required a sense of humour".
Question: What is the last name of the person who described the Nuffield College tower as an ungainly structure?

Output: Tyack.


Input:
Passage: Ex special forces mercenary and now hardened criminal Vic, (Michael Lazar) lives in a world of cons, double crosses, crooked cops, mob bosses and drug dealing crime lords. Playing by his own rules, Vic and his partner Frank work both sides of the street, caring only about where they can score and take down the most cash. After a dangerous shootout during a drug deal gone bad, Vic finds himself working for ruthless crime boss Paul Santo. Santo's being indicted for murder, and he enlists Vic and Frank to kill the three witnesses that will testify against him. Watching Vic's every move is Santo's strongest soldier, Ray, (Michael Madsen) a stone cold killer, who would like nothing better than to whack Vic and Frank the moment his boss gives him the okay. As the Asian proverb says, "In the shadow of every crime is a woman" and that holds true for Vic as his grifter girlfriend Thea and Frank's ex, the exotic, sultry, Layla have their own agendas as they both try in their own way to use and manipulate their men. As Vic tries to juggle all this as well as kill the witnesses to pay off his debt to Santo, and at the same time avoid Ray's wrath, he is pursued by crooked vice cop Ford who's relentless as he turns up the heat on Vic and Frank. On top of all this, it doesn't help that Asian crime lord, Cho and his henchman Butch are applying their own brand of pressure on Vic and Frank. They want to take out Santo and Ray, using Vic and Frank as pawns in their game of revenge and murder. In the end, Vic settles all scores as these competing factions come crashing together in the violent, action packed climax.
Question: What is the last name of the person who is being indicted?

Output: Santo.


Input:
Passage: Valley View is a mid-19th-century Greek Revival residence and farm overlooking the South Branch Potomac River northwest of Romney, West Virginia. Valley View is atop a promontory where Depot Valley joins the South Branch Potomac River valley.
The Valley View property was part of the South Branch Survey of the Northern Neck Proprietary, a large tract that was inherited by Thomas Fairfax, 6th Lord Fairfax of Cameron, in 1719. It was settled by John Collins and his family in 1749, and acquired by the Parsons family before 1772. The Valley View house was built by James Parsons Jr. in 1855. After the Civil War, Parsons' widow sold the farm to Charles Harmison. His wife, Elizabeth Harmison, inspired by her childhood Virginia home, Western View, and the scenic South Branch Potomac River views, named the farm Valley View. The most recent of a series of owners, the Mayhew family, bought the property in 1979. Valley View's current proprietors, Robert and Kim Mayhew, have restored the historic residence and grounds.
The house at Valley View is a two-story brick structure with a rectangular architectural plan. The front entrance is covered by a small portico, topped with a pediment supported by wooden Doric columns. The rear of the house, with a two-story wood porch stretching across it, faces the South Branch Potomac River valley and Mill Creek Mountain. Each of the original eight large rooms of the 1855 structure contains a fireplace framed by a wooden trabeated mantelpiece with classical elements. The original windows, wooden trim, and materials in the main section of the house are intact. The house was listed on the National Register of Historic Places in 2012 as a locally significant example of Greek Revival architecture.
Question: What is the name of the property that was acquired by the Parsons family before 1772?

Output: Valley View.


Input:
Passage: After this, Holst tackled his final attempt at opera in a cheerful vein, with The Wandering Scholar (1929–30), to a text by Clifford Bax. Imogen refers to the music as "Holst at his best in a scherzando (playful) frame of mind"; Vaughan Williams commented on the lively, folksy rhythms: "Do you think there's a little bit too much 6/8 in the opera?" Short observes that the opening motif makes several reappearances without being identified with a particular character, but imposes musical unity on the work.Holst composed few large-scale works in his final years. A Choral Fantasia of 1930 was written for the Three Choirs Festival at Gloucester; beginning and ending with a soprano soloist, the work, also involving chorus, strings, brass and percussion, includes a substantial organ solo which, says Imogen Holst, "knows something of the 'colossal and mysterious' loneliness of Egdon Heath". Apart from his final uncompleted symphony, Holst's remaining works were for small forces; the eight Canons of 1932 were dedicated to his pupils, though in Imogen's view that they present a formidable challenge to the most professional of singers. The Brook Green Suite (1932), written for the orchestra of St Paul's School, was a late companion piece to the St Paul's Suite. The Lyric Movement for viola and small orchestra (1933) was written for Lionel Tertis. Quiet and contemplative, and requiring little virtuosity from the soloist, the piece was slow to gain popularity among violists. Robin Hull, in Penguin Music Magazine, praised the work's "clear beauty—impossible to mistake for the art of any other composer"; in Dickinson's view, however, it remains "a frail creation". Holst's final composition, the orchestral scherzo movement of a projected symphony, contains features characteristic of much of Holst's earlier music—"a summing up of Holst's orchestral art", according to Short. Dickinson suggests that the somewhat casual collection of material in the work gives little indication of the symphony that might have been written.
Question: What was the name of the work that was a late companion piece to St. Paul's Suite?

Output: The Brook Green Suite.


Input:
Passage: Beatrice "Booky" Thomson is a spunky 15-year-old who dreams of becoming a great writer despite the odds. Life in Toronto during the 1930s are hard ones for Booky's family. Parents Thomas and Francy are barely able to eke out a living for themselves and their children Willa, Arthur, and Booky. But irrepressible Booky, with her big imagination and even bigger plans, seems able to tackle anything.
When her new school teacher, Mr. Jackson, inspires her to become a writer, Booky pursues her career with gusto - until she lets some well-meaning advice from a great Canadian author shatter her dreams.
Following a short stay at Aunt Aggie's Muskoka farm to quell a bout of bronchitis, Booky returns home to resume the usual joys and trials of growing up. She starts the Deanna Durbin fan club with her best friends Ruthie and Gladys, rebuffs the advances of her brother's trouble-making friend Georgie, celebrates her 16th birthday with disastrous results, and falls for Gloria's ex-boyfriend Lorne. Then one day, she decides to enter the local newspaper's essay writing contest and what happens after that nearly turns Booky's life upside down.
Question: Who celebrates her 16th birthday?

Output: Booky.


Input:
Passage: Film publicist Lee Phillips is tasked with promoting a film featuring a husband-wife acting team, Gwen Harrison and Eddie Thomas. His job is complicated by the fact that the eccentric director of the film, Hal Weidmann, refuses to show anyone a cut of the film, demanding the first viewing take place at a press junket. To promote the film and to save his job, Lee decides to focus on the two stars: Gwen and Eddie, once known as "America's Sweethearts". Unfortunately, they are now going through an ugly split. Gwen had an adulterous affair with her co-star Hector Gorgonzolas, who she now lives with, driving Eddie to an emotional breakdown. His actions after their split led Gwen to take out a restraining order against Eddie, and he is now living at a New Age retreat. Lee decides that his best chance to promote the film is to convince the press that the couple has reunited.
Lee enlists the help of Gwen's sister and personal assistant, Kiki, to convince Gwen to come to the junket. Gwen's career and public image have been severely tarnished by her broken marriage, and the pair play on Gwen's ego by telling her she will look better to the press and her fans if she attends (and she will be able to serve Eddie with divorce papers in a neutral setting). Lee then bribes Eddie's spiritual guide to convince Eddie he is well enough to leave the retreat.
Question: What is the full name of the person whose job is complicated by an eccentric director?

Output: Lee Phillips.


Input:
Passage: Despite the positive reception accorded to L'Arianna at its premiere, the duke did not request a second showing, as he had with L'Orfeo the previous year". The next hint of a performance of L'Arianna is in 1614, when the Medici court in Florence requested a copy of the score, presumably with the intention of staging it. There is, however, no record of any such performance there. Early in 1620 Striggio asked Monteverdi to send him the music for a projected performance in Mantua as part of the celebration for the Duchess Caterina's birthday. Monteverdi went to the trouble and expense of preparing a new manuscript with revisions; had he had more time, he informed Striggio, he would have revised the work more thoroughly. Hearing nothing further from the Mantuan court, Monteverdi wrote to Striggio on 18 April 1620, offering to help with the staging. A month or so later, however, he learned that the duchess's celebrations had been scaled back, and that there had been no performance of L'Arianna.There is some evidence to suggest a possible performance in Dubrovnik, in or some time after 1620; a Croatian translation of the libretto was published in Ancona in 1633. However, the only known revival of the work came in Venice, in 1640. Public theatre opera had come to the city in March 1637, when the new Teatro San Cassiano opened with a performance of L'Andromeda by Francesco Manelli. The popularity of this and other works led to more theatres converting their facilities for opera; L'Arianna was chosen to inaugurate the Teatro San Moisè as an opera house during the 1639–40 Carnival (the precise date of this performance is not recorded). A revised version of the libretto had been published in 1639, with substantial cuts and revisions from the 1608 version to remove passages too specifically linked to the Mantuan wedding. The composer, who was by then 73 years old, had acquired considerable prestige in Venice, having been director of music at St Mark's Basilica since 1613. The dedication in the revised and republished libretto describes him as "[the] most celebrated Apollo of the century and the highest intelligence of the heavens of humanity".  The opera was received with great enthusiasm by a Venetian audience already familiar with the lament, which had been published in the city in 1623. Within a few weeks the theatre replaced L'Arianna with Monteverdi's new opera Il ritorno d'Ulisse in patria, which proved an even greater success.
Question: What is the name of the 73 year old composer who had acquired considerable prestige in Venice?

Output: Monteverdi.


Input:
Passage: In an animated sequence, a plane flying through the fictional Bukuvu region in the heart of Africa crashes. A child on board the plane, George, disappears into the jungle and is raised by a sapient, talking gorilla named Ape. Twenty-five years later, George, who enjoys swinging on vines to move about but has a habit of crashing into trees, has grown to be King of the Jungle.
Ursula Stanhope, a San Francisco heiress, tours Uganda with local guide Kwame and a trio of porters. Ursula is tracked down and joined by her fiancé, Lyle Van De Groot, with two poachers named Max and Thor. Kwame tells the group of the "White Ape", a local legend of a superhuman primate that rules the jungle. The next day Lyle, insistent on taking Ursula home as soon as possible, goes into the jungle with her to find the White Ape and they are attacked by a lion. Lyle knocks himself out trying to flee while Ursula is saved by George. George takes Ursula to his treehouse home and cares for her, introducing her to Shep, an African bush elephant that acts like George's dog, and Tookie, a toco toucan. George is smitten with Ursula and attempts to woo her; Ursula reciprocates his attraction, and her time spent with George makes her no longer wish to return home.
Lyle, Max and Thor find the treehouse and Lyle confronts Ursula and George. Max and Thor make to shoot Shep for his ivory, and Ape shouts at Shep to run. Everyone is stunned by the sight of a talking ape and Max and Thor decide to tranquilize and capture him. George runs to stop them and is accidentally shot by Lyle, who thought his gun was a novelty lighter. Lyle and the poachers are imprisoned and Lyle is identified as the shooter by the porters; Max and Thor are released and resolve to capture Ape to make a fortune in Las Vegas. Meanwhile, Ursula takes George home to get medical help for his wound and to see the human world he belongs in.
Question: What is the last name of the person George is smitten with?

Output: Stanhope.